viernes, 20 de junio de 2014

Stay Hungry, Stay Foolish - A Speech by Steve Jobs

Unos pensamientos para que no perdamos el impulso durante las vacaciones, de la mano de Steve Jobs.

No perdáis la ilusión, el hambre. No perdáis la frescura ni la 'voz interior'. Sed felices.

Nos vemos...


lunes, 16 de junio de 2014

Do you Believe in Love at First Sight?

Hoy comparto con vosotros una página para mejorar nuestra competencia auditiva (listening):

elllo
http://www.elllo.org/

En concreto, os invito a profundizar sobre el amor a primera vista. ¿Crees que existe? ¿Es un mito? ¿Te ha ocurrido a ti? Escucha lo que Alex y Maria opinan al respecto pinchando en el siguiente link:





No os perdáis las diferentes posibilidades que tenéis para aprovechar la actividad:
  • Transcript: podréis leer el guión de la conversación mientras escucháis.
  • Slide show: por medio de una presentación de diapositivas, se trocea el audio en escenas. No hay guión escrito.
  • Audio Notes: mi apartado favorito, donde podréis aprender vocabulario nuevo y realmente útil.



Once again... enjoy!

sábado, 14 de junio de 2014

The News: What’s Lost as Handwriting Fades

En una sociedad cada vez más digital, poco a poco vamos perdiendo el hábito de escribir a mano. El teclado se convierte muy a menudo en nuestro medio más común de comunicación escrita. En este sentido, el NYT (New York Times) explora en un artículo los beneficios del 'handwriting' o escritura a mano. Es un poco largo, pero vale la pena. Además, así se entenderá por qué los profesores insistimos tanto en tener una buena letra. Creedme, no es una manía.

Cuando vuelva a tener ese placer tan esquivo últimamente llamado 'tiempo libre', añadiré un ejercicio para mejorar el vocabulario. Mientras, como es posible que mis queridos alumnos tengan más de 'eso', se me ocurre que no estaría del todo mal trabajar el estilo indirecto (reported speech) con las oraciones marcadas en marrón. ¿Alguien se anima?

Para ver el artículo en su página web -incluye un podcast interesante-, pincha AQUÍ.

Enjoy!


***


Does handwriting matter?

Not very much, according to many educators. The Common Core standards, which have been adopted in most states, call for teaching legible writing, but only in kindergarten and first grade. After that, the emphasis quickly shifts to proficiency on the keyboard.

But psychologists and neuroscientists say it is far too soon to declare handwriting a relic of the past. New evidence suggests that the links between handwriting and broader educational development run deep.

Children not only learn to read more quickly when they first learn to write by hand, but they also remain better able to generate ideas and retain information. In other words, it’s not just what we write that matters — but how.


“When we write, a unique neural circuit is automatically activated,” said Stanislas Dehaene, a psychologist at the Collège de France in Paris. “There is a core recognition of the gesture in the written word, a sort of recognition by mental simulation in your brain." “And it seems that this circuit is contributing in unique ways we didn’t realize,” he continued. “Learning is made easier.”

A 2012 study led by Karin James, a psychologist at Indiana University, lent support to that view. Children who had not yet learned to read and write were presented with a letter or a shape on an index card and asked to reproduce it in one of three ways: trace the image on a page with a dotted outline, draw it on a blank white sheet, or type it on a computer. They were then placed in a brain scanner and shown the image again.

The researchers found that the initial duplication process mattered a great deal. When children had drawn a letter freehand, they exhibited increased activity in three areas of the brain that are activated in adults when they read and write: the left fusiform gyrus, the inferior frontal gyrus and the posterior parietal cortex. By contrast, children who typed or traced the letter or shape showed no such effect. The activation was significantly weaker.

Dr. James attributes the differences to the messiness inherent in free-form handwriting: Not only must we first plan and execute the action in a way that is not required when we have a traceable outline, but we are also likely to produce a result that is highly variable. That variability may itself be a learning tool. “When a kid produces a messy letter,” Dr. James said, “that might help him learn it.”

Our brain must understand that each possible iteration of, say, an “a” is the same, no matter how we see it written. Being able to decipher the messiness of each “a” may be more helpful in establishing that eventual representation than seeing the same result repeatedly. “This is one of the first demonstrations of the brain being changed because of that practice,” Dr. James said.

In another study, Dr. James is comparing children who physically form letters with those who only watch others doing it. Her observations suggest that it is only the actual effort that engages the brain’s motor pathways and delivers the learning benefits of handwriting.

The effect goes well beyond letter recognition. In a study that followed children in grades two through five, Virginia Berninger, a psychologist at the University of Washington, demonstrated that printing, cursive writing, and typing on a keyboard are all associated with distinct and separate brain patterns — and each results in a distinct end product. When the children composed text by hand, they not only consistently produced more words more quickly than they did on a keyboard, but expressed more ideas. And brain imaging in the oldest subjects suggested that the connection between writing and idea generation went even further. When these children were asked to come up with ideas for a composition, the ones with better handwriting exhibited greater neural activation in areas associated with working memory — and increased overall activation in the reading and writing networks.

It now appears that there may even be a difference between printing and cursive writing — a distinction of particular importance as the teaching of cursive disappears in curriculum after curriculum. In dysgraphia, a condition where the ability to write is impaired, sometimes after brain injury, the deficit can take on a curious form: In some people, cursive writing remains relatively unimpaired, while in others, printing does.


In alexia, or impaired reading ability, some individuals who are unable to process print can still read cursive, and vice versa — suggesting that the two writing modes activate separate brain networks and engage more cognitive resources than would be the case with a single approach.

Dr. Berninger goes so far as to suggest that cursive writing may train self-control ability in a way that other modes of writing do not, and some researchers argue that it may even be a path to treating dyslexia. A 2012 review suggests that cursive may be particularly effective for individuals with developmental dysgraphia — motor-control difficulties in forming letters — and that it may aid in preventing the reversal and inversion of letters.

Cursive or not, the benefits of writing by hand extend beyond childhood. For adults, typing may be a fast and efficient alternative to longhand, but that very efficiency may diminish our ability to process new information. Not only do we learn letters better when we commit them to memory through writing, memory and learning ability in general may benefit.

Two psychologists, Pam A. Mueller of Princeton and Daniel M. Oppenheimer of the University of California, Los Angeles, have reported that in both laboratory settings and real-world classrooms, students learn better when they take notes by hand than when they type on a keyboard. Contrary to earlier studies attributing the difference to the distracting effects of computers, the new research suggests that writing by hand allows the student to process a lecture’s contents and reframe it — a process of reflection and manipulation that can lead to better understanding and memory encoding.

Not every expert is persuaded that the long-term benefits of handwriting are as significant as all that. Still, one such skeptic, the Yale psychologist Paul Bloom, says the new research is, at the very least, thought-provoking.

“With handwriting, the very act of putting it down forces you to focus on what’s important,” he said. He added, after pausing to consider, “Maybe it helps you think better.”

By MARIA KONNIKOVA
JUNE 2, 2014

lunes, 2 de junio de 2014

Ashton Kutcher's view on 'Being Sexy'

En este vídeo podréis ver el discurso que el actor Ashton Kutcher dio en la entrega de los premios 'Teen Choice Awards' 2013.

Aunque la traducción no es 100% correcta, las ideas principales pueden seguirse bastante bien.

¿Estás de acuerdo con sus propuestas?

¿Cómo de sexy te ves? Espero que esa imagen haya mejorado tras ver el vídeo. I wish...

Enjoy!