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Publicación de Cifras.
The Bronte Sisters: Charlotte, Emily and Anne all
found the world of publishing a bit more hospitable after they swapped
their names for Currer, Ellis and Acton Bell. Infamously, Poet Laureate
Robert Southey wrote to Charlotte Bronte
to outright discourage her from pursuing a career in literature.
Apparently Southey believed her womanly duties would get in the way of
her craft. “Literature cannot be the business of a woman’s life, and it
ought not to be,” he said. “The more she is engaged in her proper
duties, the less leisure she will have for it, even as an accomplishment
and a recreation.” Even 200 years ago men were telling women they
couldn’t be Beyonce flawless and have it all.
Marie d’Agoult: While we’re talking about George
Sand, it’s worth mentioning one of her lesser known contemporaries,
Marie d’Agoult a.k.a Daniel Stern. D’Agoult might be best known for her
romance with pianist and composer Franz Liszt but she was a political
writer and a historian in her own right. A journalist by trade, she
authored the highly regarded three-volume Histoire de la Révolution de 1848 which chronicled the political happenings of Paris at the time.
Willa Cather: The author of American classic My Antonia may
have published under her own name, but she was fond of being called
William, donning men’s dress, and generally ruffling more conventional
feathers. Even the characters in some of her early works mirrored her
ways and her short story “Tommy the Unconventional”
tells of a masculine up-and-comer who rejects social norms and marriage
proposals in pursuit of what she wants. Cather’s politics may not have
been left-leaning but she was surely a pioneer among women writers even
if accidentally.
George Eliot: The author of English language classics Middlemarch, The Mill on the Floss and Daniel Deronda wasn’t
a George at all but a Mary—Mary Ann Evans, to be exact. Long before she
took on her boyish nom de plume, Evans was an important figure in
Victorian England literary circles serving as the assistant editor to
left-wing magazine The Westminster Review for two years. So why
would an established writer and editor known by her birth name take on a
man’s? Evans was critical of women’s literature and women authors of
her day and age and likely wanted to set herself apart. By taking on the
name George she could write realistic epics and Bildungsroman novels
without the prejudice of her gender.
Dorothy Lawrence: Not a novelist but a journalist, Dorothy Lawrence
is the kind of woman that truly stopped at nothing to try and get what
she wanted. An aspiring war correspondent she made several failed
attempts to enter the battlefields of WWI before realizing that the only
way to get her story was to become a man — so she used her cunning and (some questionable) methods to become Denis Smith, a soldier. It didn’t go as planned though and she soon turned herself in.
Louisa May Alcott: The author of Little Women — the
classic which gave us witty and hot headed feminist-in-the-making Jo
March — didn’t always publish her works under her given name. Early in
her career she was writing for magazines and publishing her works under
the name A.M Bernard. Her early writings were much different than the
realist Civil War-era family dramas that would make her famous. Rather
Alcott’s early writings were suspenseful, sensational gothic thrillers.
Alcott herself was a woman to admire: an outspoken abolitionist and a
progressive feminist, she lived her life as she saw fit working as a
nurse during the Civil War, taking in an orphaned child, and generally
doing what her ethics, morals and humanity asked of her.